Starting from the right, several women riders, each wearing a piece of red clothing, emerge from the mountains, accompanied by several men in front and at the rear. The painting depicts four groups of travelers negotiating a mountainous track. It is traditionally attributed to the artist Qiu Ying (chee-oh ying) (ca. Yang Guifei (yahng gway fay) literally, “Imperial Consort Yang” beloved consort of Emperor Xuanzong of the Tang dynasty. (685–762) and his concubine a woman who lives with a man but has lower status than his wife or wives. is one of several paintings that depict scenes from the famous love story of the emperor Ming Huang (ming hwahng) Emperor Xuanzong (reigned 712–756). Journey to Shu (shoo) a region in southwest China, modern-day Sichuan province. One multitalented artist could work on a hand scroll alone, or several artists could collaborate, with one person painting the landscape scene, another composing the poetry, and a third writing in beautiful calligraphy. A Chinese hand scroll is “read” from right to left, the same way classical Chinese writing is read. Looking at the poetry, painting, and calligraphy on a scroll is like reading chapters in a book. ![]() Important hand scrolls are stored in special boxes and are carefully unrolled one portion at a time for viewing by only a few people. ![]() One would unroll it from right to left on a table and pause to appreciate it, one section at a time. It is opened, or unrolled, only when someone wants to view it. A hand scroll is a continuous roll of paper or silk bearing passages of calligraphy the art of producing decorative handwriting with a pen or a brush. For centuries Chinese painting had three major formats: hand scrolls, hanging scrolls, and album leaves.
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